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	<title>Comments on: Psycho (1960)</title>
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		<title>By: Aiden R</title>
		<link>http://ctcmr.com/2009/10/29/psycho-1960/#comment-6175</link>
		<dc:creator><![CDATA[Aiden R]]></dc:creator>
		<pubDate>Wed, 22 Sep 2010 14:17:26 +0000</pubDate>
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		<description><![CDATA[If only you had posted this when I had to write that essay in college...]]></description>
		<content:encoded><![CDATA[<p>If only you had posted this when I had to write that essay in college&#8230;</p>
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		<title>By: Jeremy Masten</title>
		<link>http://ctcmr.com/2009/10/29/psycho-1960/#comment-6157</link>
		<dc:creator><![CDATA[Jeremy Masten]]></dc:creator>
		<pubDate>Wed, 22 Sep 2010 11:50:08 +0000</pubDate>
		<guid isPermaLink="false">http://ctcmr.com/?p=1634#comment-6157</guid>
		<description><![CDATA[I&#039;ve been thinking about the exposition part at the end, and here&#039;s my two cents: the movie itself is schizophrenic.  No protagonist sticks around for the whole movie.  Instead, we have a series of characters who step into the story, take it over for a few scenes, then back off into supporting roles.

1.  Marion leads off with the whole money-stealing thing.
2.  Then Norman takes over and sinks her in a swamp.
3.  Then Arbogast suddenly takes charge before giving way to Sam and Lila.  
4.  Sam and Lila take it just about all the way, but pass the baton to 
5.  the psychiatrist, who explains everything.  

Cue the visual baton-passing.  A cop steps into the room, &quot;She&#039;s cold.  Can I bring her a blanket?&quot;  The sheriff looks at the psych, who says it&#039;s OK.  Then the camera follows the cop down the hall to the room where he gives 

6.  Mrs. Bates the blanket.  She takes the blanket, and takes the movie home with that final haunting speech and look.  

By my count, that&#039;s 6 or 7 lead characters (or personalities) fighting for control of the movie.  Maybe I&#039;m reaching, but maybe that explains how the movie is so successful without a real protagonist.  And maybe that&#039;s why Hitchcock let that last exposition last so long.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;ve been thinking about the exposition part at the end, and here&#8217;s my two cents: the movie itself is schizophrenic.  No protagonist sticks around for the whole movie.  Instead, we have a series of characters who step into the story, take it over for a few scenes, then back off into supporting roles.</p>
<p>1.  Marion leads off with the whole money-stealing thing.<br />
2.  Then Norman takes over and sinks her in a swamp.<br />
3.  Then Arbogast suddenly takes charge before giving way to Sam and Lila.<br />
4.  Sam and Lila take it just about all the way, but pass the baton to<br />
5.  the psychiatrist, who explains everything.  </p>
<p>Cue the visual baton-passing.  A cop steps into the room, &#8220;She&#8217;s cold.  Can I bring her a blanket?&#8221;  The sheriff looks at the psych, who says it&#8217;s OK.  Then the camera follows the cop down the hall to the room where he gives </p>
<p>6.  Mrs. Bates the blanket.  She takes the blanket, and takes the movie home with that final haunting speech and look.  </p>
<p>By my count, that&#8217;s 6 or 7 lead characters (or personalities) fighting for control of the movie.  Maybe I&#8217;m reaching, but maybe that explains how the movie is so successful without a real protagonist.  And maybe that&#8217;s why Hitchcock let that last exposition last so long.</p>
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		<title>By: Christian</title>
		<link>http://ctcmr.com/2009/10/29/psycho-1960/#comment-2754</link>
		<dc:creator><![CDATA[Christian]]></dc:creator>
		<pubDate>Tue, 13 Apr 2010 06:16:07 +0000</pubDate>
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		<description><![CDATA[Awesome blog. Psycho is one of the greatests
check my website/blog out... theREELchallenge.net]]></description>
		<content:encoded><![CDATA[<p>Awesome blog. Psycho is one of the greatests<br />
check my website/blog out&#8230; theREELchallenge.net</p>
]]></content:encoded>
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		<title>By: cmrok93</title>
		<link>http://ctcmr.com/2009/10/29/psycho-1960/#comment-695</link>
		<dc:creator><![CDATA[cmrok93]]></dc:creator>
		<pubDate>Sun, 01 Nov 2009 17:23:03 +0000</pubDate>
		<guid isPermaLink="false">http://ctcmr.com/?p=1634#comment-695</guid>
		<description><![CDATA[This film shows that Hitchcock is one of the greatest director&#039;s of all-time. End of story.]]></description>
		<content:encoded><![CDATA[<p>This film shows that Hitchcock is one of the greatest director&#8217;s of all-time. End of story.</p>
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		<title>By: Bill Thompson</title>
		<link>http://ctcmr.com/2009/10/29/psycho-1960/#comment-652</link>
		<dc:creator><![CDATA[Bill Thompson]]></dc:creator>
		<pubDate>Thu, 29 Oct 2009 11:34:08 +0000</pubDate>
		<guid isPermaLink="false">http://ctcmr.com/?p=1634#comment-652</guid>
		<description><![CDATA[Outside of the exposition city ending Psycho is a really great movie. Hard to say where I&#039;d rank it among Hitch&#039;s films though, there&#039;s far too many that I view as great for me to casually break them all down.]]></description>
		<content:encoded><![CDATA[<p>Outside of the exposition city ending Psycho is a really great movie. Hard to say where I&#8217;d rank it among Hitch&#8217;s films though, there&#8217;s far too many that I view as great for me to casually break them all down.</p>
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